In Between Sex and the Sacred: The Articulation of an Erotic Theology in Jeanette Winterson's The Passion

Abstract

This paper explores Jeanette Winterson's manipulation of biblical stories, tropes and language in The Passion. Winterson herself has commented upon the considerable influence that Scripture has upon her imagination and this novel bears up her claim in the profusion of allusions it makes to Christian texts and practices. While there has been a considerable amount of criticism written upon her use of intertextuality involving Scripture, this paper seeks to confront the issue from a theological standpoint and ascertain the theological implications of her writing. In viewing Winterson as a theologian, the possibility is raised of disseminating a more unorthodox, creative approach to hermeneutics, which encourages both a recognition of the paternalistic, heterosexual and patriarchal rhetoric within Scripture and traditional interpretation, and the supplanting of it with a polyphony of voices, which reach beyond the boundaries of the original texts. The conclusion of this paper is that, by inverting traditional categories of the sacred and the profane, Winterson articulates a challenge to contemporary theology in its practice of reading, and also advances a new theological hermeneutic, which reclaims an affirming spirituality of the body and desire.