Effacements of Form |
| |
| Authors: | John Sallis |
| |
| Institution: | Department of Philosophy, Boston College, MA 02467, USA Freiburg Institute for Advanced Study, Universit?t Freiburg, Fahnenbergplatz, 79085 Freiburg im Breisgau, Germany |
| |
| Abstract: | The theme of this essay is expressed in a line from the Dao De Jing: “The great image has no form.” The essay shows how this effacement, annulment, or withdrawal of form is realized in ancient Chinese painting (Song and Ming Dynasties) and in the conception of the natural elements to which much of this painting is related. Certain resonances with this effacement of form are identified in the way that recent Continental thought focuses on an effacement of form as it was determined in ancient Greek philosophy. |
| |
| Keywords: | form Guo Xi horizon image landscape painting mountain Socrates |
| 本文献已被 维普 等数据库收录！ |
| 点击此处可从《Frontiers of Philosophy in China》浏览原始摘要信息 |
| 点击此处可从《Frontiers of Philosophy in China》下载免费的PDF全文 |
|
