Emotional expression and physiology in European Americans and Hmong Americans

Ethnographic and clinical observations suggest that Asians are less expressive than European Americans. To examine whether this difference emerged in online emotional responding, 50 Hmong Americans (HAs) and 48 European Americans (EAs) were asked to relive past episodes of intense happiness, pride, love, anger, disgust, and sadness. Facial behavior and physiological reactivity were measured. For most emotions, more cultural similarities than differences were found. There were some exceptions: During happiness, fewer HAs than EAs showed non-Duchenne smiles (i.e., "social" smiles), despite similarities in reported emotional experience and physiological reactivity. Within-group differences between "less Hmong" and "more Hmong" HAs were also found. Implications of these findings for our understanding of culture-emotion relations are discussed.     

Stereokinetic shapes and their shadows

The visual space of phenomenal appearances has a complex geometry which cannot be reduced strictly to Euclidean or projective geometry. The distinctive nature of this space and its objects is evidenced paradigmatically by stereokinetic phenomena, which are perceptual objects in actual three-dimensional coming into being. Stereokinetic phenomena produce the appearance not only of corporeality but also, in certain circumstances, of shadows. By altering certain components of his experiments on the three-dimensional appearance of a truncated cone, in fact, Musatti discovered that on its white base floats some sort of shadow obscuring stretches of the white lines. These shadows are connected to phenomena of amodal presentations successively analysed by Kanizsa. The continuity of the unfolding in visual space of stereokinetic transformations produces a diversified series of percepts coming into being, shadows included, and highlights the role of configurational movement as a factor of formal unification, thereby proposing once again the hypothesis of assimilative factors as responsible for the field organisation of past experience.     

Auditory contagious yawning in domestic dogs (Canis familiaris): first evidence for social modulation

Dogs' capacity to 'catch' human yawns has recently attracted the attention of researchers in the field of animal cognition. Following recent studies suggesting that contagion yawning in humans, and some other primates, is empathy-related, some authors have considered the possibility that the same mechanism may underlie contagious yawning in dogs. To date, however, no positive evidence has been found, and more parsimonious hypotheses have been put forward. The present study explored the 'contagion-only' hypothesis by testing whether the mere sound of a human yawn can be sufficient to elicit yawning in dogs, in a way that is unaffected by social-emotional factors. Unexpectedly, results showed an interesting interplay between contagion and social effects. Not only were dogs found to catch human yawns, but they were also found to yawn more at familiar than unfamiliar yawns. Although not allowing for conclusive inferences about the mechanisms underlying contagious yawning in dogs, this study provides first data that renders plausible empathy-based, emotionally connected, contagious yawning in these animals.     

Morphological patterns and their colour

This study analyzed qualitative aspects in perception, particularly the relationship between morphological aspects of biological shapes and colour. The experiment reported by the study assessed the functional relation between shape and colour and, in particular, the relations among the patterns of shapes appearing in perceptual configurations, as well as certain characteristics of colour. Participants were shown 32 natural images and were asked to match them with a colour. The results indicated that some figures were more frequently associated (positively or negatively) with some colours instead of others. Type of shape, texture, and three-dimensionality were important elements in the participants' choices. Rounded figures and non-holed figures had positive matches with red; elongated figures were associated with colours between blue and green; and holed figures showed positive matches with colours between green and yellow. Type of shape and texture also exhibited a relationship with the warmth of the colour.