Bilateral transfer as a function of mental imagery

Three experiments are reported which investigate the role of mental imagery in the bilateral transfer from right to Ie ft hand of rotary pursuit skill. In Experiment 1 both mental imagery and physical rehearsal showed significant positive transfer relative to a control condition. However, work decrement may have accumulated and transferred in the physical rehearsal group thereby depressing this group's left-hand performance. Experiment 2 was conducted under conditions designed to allow work decrement to dissipate prior to transfer to the contralateral limb. The data still showed no difference between physical rehearsal and mental imagery. One interpretation of these data is that work decrement was present under both the physical rehearsal and mental imagery manipulations in Experiment 1. The data from Experiment 3 confirmed this interpretation as well as replicated the positive transfer effects found for mental imagery in Experiments 1 and 2. The data are discussed in terms of central versus peripheral explanatory mechanisms.     

Comparison of the efficacy of two name-learning techniques: expanding rehearsal and name-face imagery

Two name-learning techniques were compared: expanding rehearsal and name-face imagery. Participants studied name-face associations and were given a cued recall test in which they were presented with a face and were to recall the name. They were presented with either an expanding rehearsal schedule (expanding condition), a distinctive facial feature coupled with a word phonologically similar to the last name and an interactive image linking the name and facial feature (name-face imagery condition), or a no memory (control) strategy. The expanding rehearsal schedule led to superior name learning relative to the name-face imagery and control conditions after a 15-min (Experiment 1) or 48-hr (Experiment 2) retention interval. In Experiment 3, the retrieval practice explanation was tested but not supported; we argue that an encoding variability interpretation is consistent with the overall pattern of results. Applied implications are also discussed.     

The mental representation of music notation: notational audiation

This study investigated the mental representation of music notation. Notational audiation is the ability to internally "hear" the music one is reading before physically hearing it performed on an instrument. In earlier studies, the authors claimed that this process engages music imagery contingent on subvocal silent singing. This study refines the previously developed embedded melody task and further explores the phonatory nature of notational audiation with throat-audio and larynx-electromyography measurement. Experiment 1 corroborates previous findings and confirms that notational audiation is a process engaging kinesthetic-like covert excitation of the vocal folds linked to phonatory resources. Experiment 2 explores whether covert rehearsal with the mind's voice also involves actual motor processing systems and suggests that the mental representation of music notation cues manual motor imagery. Experiment 3 verifies findings of both Experiments 1 and 2 with a sample of professional drummers. The study points to the profound reliance on phonatory and manual motor processing--a dual-route stratagem--used during music reading. Further implications concern the integration of auditory and motor imagery in the brain and cross-modal encoding of a unisensory input.     

Imagery,rehearsal, and the compatibility of input-output tasks

Two experiments tested the proposition that recall in an imagery task would be facilitated when the processes instigated during original input and during a rehearsal interval were similar to (compatible with) processes assumed to be initiated by two retrieval formats. In both experiments the subjects listened to tape-recorded messages which described the placements of numbers in an imaginary mental matrix. Experiment 1 used four modes of presenting the original information about the placement of the numbers. Two of the input modes were expected to foster the use of imagery: listening to the tape-recorded messages (L), and listening while shadowing (vocalizing) the messages (LV). The other modes of presentation were expected to encourage verbalized rather than imaginal encoding: listening plus silent reading (LR), and listening plus reading aloud (LRV). Two types of recall tasks were used, one which emphasized imaginal coding (matrix recall) and one which emphasized verbal coding (direction recall). Recall was highest when the input and output tasks were assumed to involve similar types of processing. Thus, Groups L and LV showed higher recall than Groups LR and LRV on the matrix task, but the converse was true for the direction task. In addition, rotation of the information yielded different characteristics for the input-output conditions. Experiment 2 introduced rehearsal instructions. Visualizing rehearsal was more beneficial to matrix recall than verbalizing rehearsal or no explicit rehearsal instructions, and verbalizing rehearsal aided direction recall more than visualizing rehearsal. Various models were discussed.     

Mechanism Involvement During Skill Imagery

Explanations of the effects of initial mental imagery practice on the subsequent performance of a motor task may be divided into two categories. Inflow explanations propose that proprioceptive feedback generated during imagery practice serves as the underlying mechanism while outflow explanations claim that cognitive operations (e.g., motor programs) generated during skill imagery serve as the basis for physical performance. A test of these two models was conducted by comparing unilateral and bilateral transfer in a rotary pursuit task following either imagery or physical practice (cf. Wallace, 1977). The results showed that all transfer groups produced positive transfer relative to a no-practice control group. Further, unilateral transfer was greater than bilateral transfer for physical practice. There was no difference between unilateral and bilateral transfer for imagery practice. These data were interpreted as evidence for an outflow explanation of skill imagery.     

Speech imagery is not always faster than visual imagery

One approach to the study of mental imagery is to examine the performance characteristics of different forms of mental imagery when used in various tasks. To demonstrate the utility of this functional approach, the use of speech and visual imagery processes in the serial mental rehearsal of common verbal sequences le.g., letters of the alphabet and familiar object arrays (objects found in familiar rooms) was examined in the present experiments. Rehearsal rates and self-reporte were consistent with the hypothesis that mental rehearsal efficiency is a function of the compatibility of characteristics of the rehearsal materials and rehearsal mode. While verbal sequences were rehearsed faster under speech than under visual imagery conditions, object arrays were rehearsed as fast under visual as under speech imagery conditions. In addition, evidence was found that covert verbal rehearsal is faster than overt verbal rehearsal under some circumstances.     

Mechanism involvement during skill imagery

Explanations of the effects of initial mental imagery practice on the subsequent performance of a motor task may be divided into two categories. In-flow explanations propose that proprioceptive feedback generated during imagery practice serves as the underlying mechanism while outflow explanations claim that cognitive operations (e.g., motor programs) generated during skill imagery serve as the basis for physical performance. A test of these two models was conducted by comparing unilateral and bilateral transfer in a rotary pursuit task following either imagery or physical practice (cf. Wallace, 1977). The results showed that all transfer groups produced positive transfer relative to a no-practice control group. Further, unilateral transfer was greater than bilateral transfer for physical practice. There was no difference between unilateral and bilateral transfer for imagery practice. These data were interpreted as evidence for an outflow explanation of skill imagery.     

Verbal recoding of visual stimuli impairs mentalimagetransformations

Two experiments were carried out to test the hypothesis that verbal recoding of visual stimuli in short-term memory influences long-term memory encoding and impairs subsequent mental image operations. Easy and difficult-to-name stimuli were used. When rotated 90 degrees counterclockwise, each stimulus revealed a new pattern consisting of two capital letters joined together. In both experiments, subjects first learned a short series of stimuli and were then asked to rotate mental images of the stimuli in order to detect the hidden letters. In Experiment 1, articulatory suppression was used to prevent subjects from subvocal rehearsal when learning the stimuli, whereas in Experiment 2, verbal labels were presented with each stimulus during learning to encourage a reliance on the verbal code. As predicted, performance in the imagery task was significantly improved by suppression when the stimuli were easy to name (Experiment 1) but was severely disrupted by labeling when the stimuli were difficult to name (Experiment 2). We concluded that verbal recoding of stimuli in short-term memory during learning disrupts the ability to generate veridical mental images from long-term memory.     

Components of rational-emotive imagery: Two experiments with nonassertive students

Unassertive students took part in two experiments to assess the contributions of emotional and cognitive rehearsal procedures in rational-emotive imagery. In each study participants received analogue treatment in groups, which met twice for one and a half hours. In Experiment 1 behavior rehearsal (BR) was more effective than emotional rehearsal (ER, which involved tryping to attenuate unwanted feelings in fantasy) and cognitive rehearsal (CR, which involved examining negative, and rehearsing helpful, self-statements) as assessed by a self-report measure of assertiveness. In Experiment 2 combinations of Experiment 1 procedures were tested in a factorial design. On a behavioral test, BR proved more effective than the treatment combinations, but on questionnaire measures of social anxiety and irrational beliefs rational-emotive imagery (the combination of CR with ER) was superior to the other treatment conditions. Results are encouraging in that rational-emotive imagery was more successful than either component in isolation, even within the limits of a brief analogue study. Further clinical trials are needed.     

How are pictures registered in memory?

Three experiments tested the hypothesis that pictorial memory is much less dependent on rehearsal than is verbal memory. Experiment I examined incidental learning since this is assumed to reflect learning with little or no rehearsal. Following a classification task, intentional and incidental learning for pictures and for words was compared. The superiority of pictorial memory was especially marked in incidental learning. Experiment II showed that this result was not due to differences in the amount of processing required to classify pictures and words. RTs to classify words and pictures did not differ, and incidental learning was again superior for pictures. In Experiment III rehearsal opportunity was restricted by a concurrent task during presentation of word and picture lists, and the decrement was very much greater for word learning than for picture learning. It was concluded that manipulation of rehearsal opportunity has relatively little effect on pictorial memory.     

The mental effort requirement of cumulative rehearsal: A developmental study

Three experiments were conducted examining the relationship between the mental effort requirement of cumulative rehearsal and spontaneous utilization of the strategy by children. Mental effort was assessed by measuring the interference produced by cumulative rehearsal with a simultaneously performed secondary task (finger-tapping). It was found in Experiment 1 that second- and third-grade children experienced significantly more finger-tapping interference during instructed cumulative rehearsal than did sixth-grade children, an effect which, Experiment 2 demonstrated, could not be attributed simply to developmental differences in time-sharing performance. In Experiment 3 it was found that, for children in grades 2 through 5, rehearsal set size during spontaneous rehearsal was negatively correlated with amount of finger-tapping interference during instructed cumulative rehearsal, suggesting that spontaneous use of a cumulative rehearsal strategy was negatively correlated with the mental effort requirement of strategy use. These findings support the view that the mental effort requirement of strategy use may influence children's strategy selection on memory tasks.     

Rehearsal strategies during motor-sequence learning in old age: execution vs motor imagery

Motor imagery and action-based rehearsal were compared during motor sequence-learning by young adults (M = 25 yr., SD = 3) and aged adults (M = 63 yr., SD = 7). General accuracy of aged adults was lower than that of young adults (F(1,28) = 7.37, p =.01) even though working-memory capacity was equivalent in the two groups. Motor imagery and rehearsal by action increased accuracy in both age groups, compared with minimization of opportunity for rehearsal (F(1,28) = 30.95, p < .001), but no interaction was found with age group, which suggests that young and aged adults were equally capable of motor imagery and action-based rehearsal. It was assumed that differences in performance between young and aged participants related to the formation of mental representations of sequences and integration of new elements into these representations rather than the capacity for motor imagery or rehearsal by action per se. The current study was exploratory and involved a relatively small sample of 15 participants per age group. Caution must be taken when considering the results.     

视觉表象操作加工的眼动实验研究

本研究通过视觉表象旋转和扫描的眼动实验探讨表象的心理表征方式。实验一结果表明,眼动指标具有与反应时相类似的旋转角度效应。实验二结果显示,表象扫描的反应时和眼动指标都具有与知觉扫描加工一样的距离效应。由此可以认为,表象眼动与知觉眼动模式具有相似性;表象具有相对独立的心理表征方式并有其特殊的加工过程;表象的心理表征可以是形象表征,而非一定是抽象的命题或符号表征     

When is the ball going to hit the ground? Duration estimates, eye movements, and mental imagery of object motion

Performance in 2 versions of a computer-animated task was compared. Participants either indicated the time of arrival of a target that rolled off a horizontal surface and fell--hidden from view--onto a landing point (production task) or judged flight time on a rating scale (judgment task). As predicted, performance was significantly better in the production task (Experiment 1), in which imagery of object motion probably replaced reasoning processes. Participants who exhibited eye movements suggesting mental tracking performed particularly well in the production task (Experiment 2). There was, however, no decrement in performance when participants were asked to fixate the point where the target disappeared. For motion duration estimations, eye movements seem to be only a by-product of mental tracking.     

Visual versus kinesthetic mental imagery: Efficacy for the retention and transfer of a closed motor skill in young children

The main purposes of this study were (a) to compare the effects of mental imagery combined with physical practise and specific physical practise on the retention and transfer of a closed motor skill in young children; (b) to determine the mental imagery (visual vs. kinesthetic), which is the most efficient for retention and transfer of a closed motor skill; and (c) to verify the relationship between movement image vividness and motor performance. As for the secondary purpose, it was to compare the effects of gender on motor learning. Participants (n = 96) were selected from 3 primary schools. These participants were divided into 6 groups and submitted to different experimental conditions. The experimental task required the participants to throw, with the nondominant hand (left hand), a ball toward a target composed of 3 concentric circles. The results demonstrated that performance obtained by the mental imagery (visual or kinesthetic) combined with physical practise group was, during the retention phase, equivalent to that produced by the specific physical practise group but significantly superior during the transfer of closed motor skill. These results showed the potential benefits of mental imagery as a retention strategy intended for motor skills and performance enhancement. Such results could be explained by the similarity of 3 principal functional evidences shared by mental and physical practise: behavioural, central, and peripheral (as suggested by Holmes & Collins, 2001). (PsycINFO Database Record (c) 2008 APA, all rights reserved).     

Tool use and the effect of action on the imagination

Three studies examined the claim that hand movements can facilitate imagery for object rotations but that this facilitation depends on people's model of the situation. In Experiment 1, physically turning a block without vision reduced mental rotation times compared with imagining the same rotation without bodily movement. In Experiment 2, pulling a string from a spool facilitated participants' mental rotation of an object sitting on the spool. In Experiment 3, depending on participants' model of the spool, the exact same pulling movement facilitated or interfered with the exact same imagery transformation. Results of Experiments 2 and 3 indicate that the geometric characteristics of an action do not specify the trajectory of an imagery transformation. Instead, they point to people's ability to model the tools that mediate between motor activity and its environmental consequences and to transfer tool knowledge to a new situation.     

Multi-Encoding for Pitch Information of Tone Sequences

This study was designed to investigate the possibilities that subjects would visualize an auditory contour as a visual contour (visual imagery) to encode pitch information of tone sequences (Experiment 1), and that subjects would be motivated to attempt to engage in covert rehearsal with multi-code (Experiment 2). The findings from these experiments suggest that: (a) Whereas the highly musically trained subjects were able to encode pitches as accurate notes on a staff, the less well musically trained subjects encoded the pitch sequence as a contour. It is quite evident that there is an intermodal analogy between the perception of pitch relationships and that of relationships in visual space. (b) Pitch rehearsal of auditory information along with note names (dual-code) and staff notation accompanied by pitch rehearsal with note names (triple-code) were the most effective strategies for highly trained subjects with pitches of tonal sequences; melodic contour accompanied by pitch rehearsal (dual-code) was used by highly trained subjects with atonal sequences and by less well trained subjects with both types of sequences.     

Interocular transfer of orientation-contingent color aftereffects with external and internal adaptation

The issue of whether McCollough effects transfer interocularly was examined in two experiments. In Experiment 1, as in previous experiments, no interocular transfer of McCollough effects was obtained when subjects adapted monocularly to externally present patterns with their unused eyes fully occluded. However, when subjects adapted monocularly (with the unused eye fully occluded) to visual images of those patterns superimposed on physically present chromatic backgrounds, McCollough effects transferred interocularly. In Experiment 2, subjects adapted to either physically present patterns or to images of those patterns (as in Experiment 1), but the unused eye was exposed to unpatterned diffuse white light. In contrast to Experiment 1, the externally adapted subjects showed interocular transfer of McCollough effects. In Experiment 2, the magnitude of the interocular transfer effects produced by imagery was significantly larger than the magnitude of the effects produced by external adaptation, but the magnitude of the imagery-induced aftereffects did not differ from Experiment 1 to Experiment 2. These results extend earlier findings by Kunen and May (1980) and show that McCollough effects can be produced through adaptation to imagery, even though the direction of the imagery-induced aftereffects indicates adaptation to higher spatial frequencies whereas externally derived aftereffects indicate adaptation to lower spatial frequencies. It is concluded that failure of previous studies to obtain interocular transfer of McCollough effects may have resulted from complete occlusion of the contralateral eye. These data point up some interesting similarities and some important differences between imagery and actual vision. The implications for analogical models of visual imagery are discussed.     

Fruitful plans: adding targeted mental imagery to implementation intentions increases fruit consumption

Forming implementation intentions ('If I encounter situation X, then I will perform behaviour Y!') increases the probability of carrying out goals. This study tested the hypothesis that mental imagery targeting key elements of implementation intentions further increases goal achievement. The residents of a student residence were assigned the goal of consuming extra portions of fruit every day for 7 days and randomly assigned to one of four conditions: control (active rehearsal), implementation intentions, goal intention mental imagery or mental imagery targeted to the implementation intentions. Among low fruit consumers, but not high fruit consumers, fruit consumption at follow-up was higher in the targeted mental imagery group than in the other group, with the lowest fruit consumption in the control group. The findings suggest that it may be beneficial to use targeted mental imagery when forming implementation intentions.     

Visuospatial tasks suppress craving for cigarettes

The Elaborated Intrusion (EI) theory of desire posits that visual imagery plays a key role in craving. We report a series of experiments testing this hypothesis in a drug addiction context. Experiment 1 showed that a mental visual imagery task with neutral content reduced cigarette craving in abstaining smokers, but that an equivalent auditory task did not. The effect of visual imagery was replicated in Experiment 2, which also showed comparable effects of non-imagery visual working memory interference. Experiment 3 showed that the benefit of visual over auditory interference was not dependent upon imagery being used to induce craving. Experiment 4 compared a visuomotor task, making shapes from modeling clay, with a verbal task (counting back from 100), and again showed a benefit of the visual over the non-visual task.We conclude that visual imagery supports craving for cigarettes. Competing imagery or visual working memory tasks may help tackle craving in smokers trying to quit.