The Spectrally Dependent Monotic Component in the Decreasing-Loudness Aftereffect: Implications for Dynamic Auditory Localization

Listeners exposed to a tone increasing in intensity report an aftereffect of decreasing loudness in a steady tone heard afterward. In the present study, the spectral dependence of the monotic decreasing-loudness aftereffect (adapting and testing 1 ear) was compared with (a) the spectral dependence of the interotic decreasing-loudness aftereffect (adapting 1 ear and testing the other ear) and (b) a non-adaptation control condition. The purpose was to test the hypothesis that the decreasing-loudness aftereffect may concern the sensory processing associated with dynamic localization. The hypothesis is based on two premises: (a) dynamic localization requires monaural sensory processing, and (b) sensory processing is reflected in spectral selectivity. Hence, the hypothesis would be supported if the monotic aftereffect were more spectrally dependent and stronger than the interotic aftereffect; A. H. Reinhardt-Rutland (1998) showed that the hypothesis is supported with regard to the related increasing-loudness aftereffect. Two listeners were exposed to a 1-kHz adapting stimulus. From responses of “growing softer” or “growing louder” to test stimuli changing in intensity, nulls were calculated; test carrier frequencies ranged from 0.5 kHz to 2 kHz. Confirming the hypothesis, the monotic aftereffect peaked at around the 1-kHz test carrier frequency. In contrast, the interotic aftereffect showed little evidence of spectrally dependent peaking. Except when test and adaptation carrier frequencies differed markedly, the interotic aftereffect was smaller than the monotic aftereffect.     

The spectrally dependent monotic component in the decreasing-loudness aftereffect: implications for dynamic auditory localization

Listeners exposed to a tone increasing in intensity report an aftereffect of decreasing loudness in a steady tone heard afterward. In the present study, the spectral dependence of the monotic decreasing-loudness aftereffect (adapting and testing 1 ear) was compared with (a) the spectral dependence of the interotic decreasing-loudness aftereffect (adapting 1 ear and testing the other ear) and (b) a non-adaptation control condition. The purpose was to test the hypothesis that the decreasing-loudness aftereffect may concern the sensory processing associated with dynamic localization. The hypothesis is based on two premises: (a) dynamic localization requires monaural sensory processing, and (b) sensory processing is reflected in spectral selectivity. Hence, the hypothesis would be supported if the monotic aftereffect were more spectrally dependent and stronger than the interotic aftereffect; A. H. Reinhardt-Rutland (1998) showed that the hypothesis is supported with regard to the related increasing-loudness aftereffect. Two listeners were exposed to a 1-kHz adapting stimulus. From responses of "growing softer" or "growing louder" to test stimuli changing in intensity, nulls were calculated; test carrier frequencies ranged from 0.5 kHz to 2 kHz. Confirming the hypothesis, the monotic aftereffect peaked at around the 1-kHz test carrier frequency. In contrast, the interotic aftereffect showed little evidence of spectrally dependent peaking. Except when test and adaptation carrier frequencies differed markedly, the interotic aftereffect was smaller than the monotic aftereffect.     

Response scatter in measuring changing-loudness aftereffects: evidence for simplified processing of auditory motion-in-depth and potential collision

Researchers have postulated 2 mechanisms for processing auditory motion: a direct mechanism processing motion itself and an indirect mechanism sensitive to location over discrete points in time. Measuring aftereffects of azimuthal motion by nulling entails scattered responding, which is attributed to a conflict between direct and indirect mechanisms. In this experiment, the author obtained nulls following adaptation to changing sound level, a property of approaching or receding sound sources, and for nonadaptation. Test stimuli ranged in duration from 1.0 to 2.5 s. Longer test stimuli evinced reductions in both changing-loudness aftereffects and the associated response scatters. However, the latter matched the nonadaptation response scatters. The author suggests that judging longer test stimuli is easier, so an indirect mechanism need not be invoked. Simplified processing of changing sound level may underlie the rapid responses required for potential collision.     

Response Scatter in Measuring Changing-Loudness Aftereffects: Evidence for Simplified Processing of Auditory Motion-in-Depth and Potential Collision

Researchers have postulated 2 mechanisms for processing auditory motion: a direct mechanism processing motion itself and an indirect mechanism sensitive to location over discrete points in time. Measuring aftereffects of azimuthal motion by nulling entails scattered responding, which is attributed to a conflict between direct and indirect mechanisms. In this experiment, the author obtained nulls following adaptation to changing sound level, a property of approaching or receding sound sources, and for nonadaptation. Test stimuli ranged in duration from 1.0 to 2.5 s. Longer test stimuli evinced reductions in both changing-loudness aftereffects and the associated response scatters. However, the latter matched the nonadaptation response scatters. The author suggests that judging longer test stimuli is easier, so an indirect mechanism need not be invoked. Simplified processing of changing sound level may underlie the rapid responses required for potential collision.     

Note on aftereffect of unidirectional sound-level change with different durations of test stimulus

Prolonged listening to unidirectional change of sound level in a tone can cause a steady tone afterwards to change in apparent loudness in the opposite direction. Subjectively the present aftereffect appears strong immediately after removal of the adaptor, becoming much weaker within a second or so. To confirm this, the aftereffect was measured by nulling with different durations of test stimulus changing steadily in sound level. As predicted, rate of change of sound level was greater for the shorter test stimuli. This suggests that aftereffect measurement by nulling may be best achieved with short test stimuli. However, responses to shorter test stimuli were generally more scattered.     

Checkerboard-specific color aftereffects: A failure to find effects of perceptual organization

Two experiments investigated the effects of differing perceptual organizations of reversible figures on McCollough aftereffects. Experiment 1 used colored checkerboard inducing stimuli and achromatic grating test stimuli. While some subjects tended to organize the checkerboards into rows and/or columns and others to organize them into obliques, these variations did not result in differences in aftereffect direction or magnitude. Experiment 2 induced an aftereffect with colored gratings and tested with checkerboards, gratings, and a reversible concentric octagon pattern. Perceptual organization had no effect on results for checkerboards, but was related to aftereffect strength for the octagon pattern. Indirect evidence suggests that, in the latter case, differences in aftereffect strength may have influenced the perceived organization, rather than vice versa. Finally, regardless of the specific organization perceived, spontaneous viewing of all test stimuli produced stronger aftereffects than were found when subjects reorganized the pattern. This may have resulted from a viewing strategy associated with reorganization, since similarly small aftereffects were found when subjects concentrated their attention on a single pattern element.     

Buildup and decay of a three-dimensional rotational aftereffect obtained with a three-dimensional figure

Gaps in past literature have raised questions regarding the kinds of stimuli that can lead to three-dimensional (3-D) rotation aftereffects. Further, the characteristics of the buildup and decay of such aftereffects are not clear. In the present experiments, rotation aftereffects were generated by projections of cube-like stimuli whose dynamic perspective motions gave rise to the perception of rotation in unambiguous directions; test stimuli consisted of similar cubes whose rotation directions were ambiguous. In experiment 1, the duration of the adaptation stimulus was varied and it was found that the 3-D rotation aftereffect develops with a time constant of approximately 26 s. In experiment 2, the duration between adaptation and testing was varied. It was found that the 3-D rotation aftereffect has a decay constant of about 9 s, similar to that observed with 2-D motion aftereffects. Experiment 3 showed that the rotation aftereffects were not simple depth aftereffects. To account for these aftereffects and related data, a modification of an existing neural-network model is suggested.     

Contrast and frequency competition for orientation-contingent color aftereffects

A “competition” paradigm was developed to examine separately the effects of pattern contrast and spatial frequency characteristics on the strength of orientation-contingent color aftereffects (McCollough effects). After adapting to alternately presented red/black and green/black square-wave gratings (one horizontal, one vertical), 11 subjects viewed seven different kinds of test patterns. Unlike Standard McCollough effect test stimuli, the present patterns had variable luminance profiles running both horizontally and vertically within each test pattern area. Forced choice responses were used to determine which aftereffect color (red or green) appeared, as characteristics of vertical and horizontal luminance profiles were varied separately among test stimulus types. We conclude that pattern contrast and human contrast sensitivity account for aftereffect colors in such stimuli. When contrast is taken into consideration, aftereffects are not predicted by similarity between adaptation and test pattern Fourier characteristics, nor are they predicted by the width, per se, of pattern elements.     

Aftereffect arising from unidirectional change of sound level in a tone: frequency specificity with a complex adaptor

Subjects adapted to square-wave adaptors, stimuli containing odd harmonics of the fundamental, and, to provide baseline data, sinusoidal adaptors matching the square-wave's fundamental. Nulls were obtained for various frequencies of the test stimulus. At any given frequency, the baseline null was subtracted from the null for square-wave adaptation. These corrected nulls indicated frequency-specific aftereffects at the third and fifth harmonics. The evidence is consistent with previous attempts to link the aftereffect of changing sound level in a tone with the auditory movement aftereffect because the latter may also show frequency specificity.     

Movement-induced modulation of orientation-specific color aftereffects

The intensity of the McCollough effect is modified when, following exposure to the inducing chromatic stimuli, the achromatic test gratings are seen oscillating orthogonally to their orientations. Green aftereffect seen on stationary test gratings is enhanced by oscillations, while pink aftereffect present on the stationary gratings fades upon oscillation of the test stimulus. These opponent changes are tentatively accounted for in terms of an interaction between Fechner-Benham type induced color and processes that mediate the orientation-specific chromatic aftereffects.     

Simple and contingent aftereffects of perceived duration in vision and audition

After repeated presentations of a long inspection tone (800 or 1,000 msec), a test tone of intermediate duration (600 msec) appeared shorter than it would otherwise appear. A short inspection tone (200 or 400 msec) tended to increase the apparent length of the intermediate test tone. Thus, a negative aftereffect of perceived auditory duration occurred, and a similar aftereffect occurred in the visual modality. These aftereffects, each involving a single sensory dimension, aresimple aftereffects. The following procedures producedcontingent aftereffects of perceived duration. A pair of lights, the first short and the second long, was presented repeatedly during an inspection period. When a pair of test lights of intermediate duration was then presented, the first member of the pair appeared longer in relation to the second. A similar aftereffect occurred in the auditory modality. In these latter aftereffects, the perceived duration of a test light or tone is contingent—dependent—on its temporal order, first or second, within a pair of test stimuli. An experiment designed to test the possibility of cross-modal transfer of contingent aftereffects between audition and vision found no significant cross-modal aftereffects.     

Mystery of the anti-McCollough effect

The McCollough Effect (ME) is a complex perceptual aftereffect that remains of interest half a century after its discovery. It is argued that a recently reported variant, dubbed the anti-McCollough effect, is not the reverse of the ME, with aftereffect colors in the same direction as the inducing stimuli. A red-horizontal stimulus leads to a reddish aftereffect not because of red-horizontal parings, but despite them. The anti-ME is a weak standard-direction ME produced by complementary afterimage colors (afterimage green with horizontal), rather than by environmental colors, first shown decades ago. It is not a new type of contingent aftereffect. The red-horizontal pair does not interfere with the afterimage green-horizontal pair it produces because a single color-orientation pairing provides more ambiguous input than does the standard two orientation-color pairings (red-horizontal, green-vertical) of the ME. It is also argued that not even one orientation-contingent color aftereffect is convincingly shown in the "anti"-ME, let alone, as has previously been suggested, two simultaneous orientation-contingent color aftereffects in opposite directions at different levels of the visual system, in which the higher-level effect suppresses the downstream effect from reaching consciousness. The "anti"-ME can be explained by existing theories of contingent aftereffects, including perceptual-learning theory.     

The use of aftereffects in the study of relationships among emotion categories

The perception of visual aftereffects has been long recognized, and these aftereffects reveal a relationship between perceptual categories. Thus, emotional expression aftereffects can be used to map the categorical relationships among emotion percepts. One might expect a symmetric relationship among categories, but an evolutionary, functional perspective predicts an asymmetrical relationship. In a series of 7 experiments, the authors tested these predictions. Participants fixated on a facial expression, then briefly viewed a neutral expression, then reported the apparent facial expression of the 2nd image. Experiment 1 revealed that happy and sad are opposites of one another; each evokes the other as an aftereffect. The 2nd and 3rd experiments reveal that fixating on any negative emotions yields an aftereffect perceived as happy, whereas fixating on a happy face results in the perception of a sad aftereffect. This suggests an asymmetric relationship among categories. Experiments 4-7 explored the mechanism driving this effect. The evolutionary and functional explanations for the category asymmetry are discussed.     

The associative basis of contingent color aftereffects.

According to a conditioning analysis of the orientation-contingent color aftereffect (McCollough effect, ME), orientation stimulus (grids) become associated with color. Contrary to this interpretation are reports that simple forms cannot be used to elicit illusory color and that the ME is not degraded by decreasing the grid-color correlation. The present results indicate: (a) Form stimuli can contingently elicit color aftereffects; (b) even a non-patterned stimulus--the lightness of a frame surrounding a colored area--can contingently elicit color aftereffects; (c) this frame lightness-contingent aftereffect, like the ME, persists for at least 24 hr; and (d) the frame lightness-contingent aftereffect can be used to demonstrate that correlational manipulations affect the ME, as they affect other types of conditional responses.     

Visual motion influences the contingent auditory motion aftereffect

In this study, we show that the contingent auditory motion aftereffect is strongly influenced by visual motion information. During an induction phase, participants listened to rightward-moving sounds with falling pitch alternated with leftward-moving sounds with rising pitch (or vice versa). Auditory aftereffects (i.e., a shift in the psychometric function for unimodal auditory motion perception) were bigger when a visual stimulus moved in the same direction as the sound than when no visual stimulus was presented. When the visual stimulus moved in the opposite direction, aftereffects were reversed and thus became contingent upon visual motion. When visual motion was combined with a stationary sound, no aftereffect was observed. These findings indicate that there are strong perceptual links between the visual and auditory motion-processing systems.     

Atypical updating of face representations with experience in children with autism

Face identity aftereffects are significantly diminished in children with autism relative to typical children, which may reflect reduced perceptual updating with experience. Here, we investigated whether this atypicality also extends to non‐face stimulus categories, which might signal a pervasive visual processing difference in individuals with autism. We used a figural aftereffect task to measure directly perceptual updating following exposure to distorted upright faces, inverted faces and cars, in typical children and children with autism. A size‐change between study and test stimuli limited the likelihood that any processing atypicalities reflected group differences in adaptation to low‐level features of the stimuli. Results indicated that, relative to typical children, figural aftereffects for upright faces, but not inverted faces or cars, were significantly attenuated in children with autism. Moreover, the group difference was amplified when we isolated the ‘face‐selective’ component of the aftereffect, by partialling out the mid‐level shape adaptation common to upright and inverted face stimuli. Notably, the aftereffects of typical children were disproportionately larger for upright faces than for inverted faces and cars, but the magnitude of aftereffects of autistic children was not similarly modulated according to stimulus category. These findings are inconsistent with a pervasive adaptive coding atypicality relative to typical children, and suggest that reduced perceptual updating may constitute a high‐level, and possibly face‐selective, visual processing difference in children with autism.     

Aftereffects in binocular rivalry

Five experiments are reported in which the aftereffect paradigm was applied to binocular rivalry. In the first three experiments rivalry was between a vertical grating presented to the left eye and a horizontal grating presented to the right eye. In the fourth experiment the rivalry stimuli consisted of a rotating sectored disc presented to the left eye and a static concentric circular pattern presented to the right. In experiment 5 rivalry was between static radiating and circular patterns. The predominance durations were systematically influenced by direct (same eye) and indirect (interocular) adaptation in a manner similar to that seen for spatial aftereffects. Binocular adaptation produced an aftereffect that was significantly smaller than the direct aftereffect, but not significantly different from the indirect one. A model is developed to account for the results; it involves two levels of binocular interaction in addition to monocular channels. It is suggested that the site of spatial aftereffects is the same as that for binocular rivalry, rather than sequentially prior.     

Rapid adaptation to auditory-visual spatial disparity

The so-called ventriloquism aftereffect is a remarkable example of rapid adaptative changes in spatial localization caused by visual stimuli. After exposure to a consistent spatial disparity of auditory and visual stimuli, localization of sound sources is systematically shifted to correct for the deviation of the sound from visual positions during the previous adaptation period. In the present study, this aftereffect was induced by presenting, within 17 min, 1800 repetitive noise or pure-tone bursts in combination with synchronized, and 20° disparate flashing light spots, in total darkness. Post-adaptive sound localization, measured by a method of manual pointing, was significantly shifted 2.4° (noise), 3.1° (1 kHz tones), or 5.8° (4 kHz tones) compared with the pre-adaptation condition. There was no transfer across frequencies; that is, shifts in localization were insignificant when the frequencies used for adaptation and the post-adaptation localization test were different. It is hypothesized that these aftereffects may rely on shifts in neural representations of auditory space with respect to those of visual space, induced by intersensory spatial disparity, and may thus reflect a phenomenon of neural short-term plasticity.     

Effects of situational cues on prism-induced aftereffects

A test was made of the hypothesis that external stimuli present during exposure to lateral displacement of the visual field can serve as situational cues whose presence or absence will influence the magnitude of aftereffects manifested subsequent to adaptation resulting from the exposure. The results indicated that the relative aftereffects were significantly greater when thenondisplacing goggles were worn during the periods in which aftereffect measurements were taken than was the case when they were removed during these test periods. The finding that manipulation of certain cues, i.e., the restriction of the visual field, weight, etc., of the goggles, associated with the adaptation period can in part determine the size of observed aftereffects provides evidence in support of the notion that aftereffects can be conditioned to precisely given constellations of stimuli In addition, the need for caution in conceptualizing aftereffects as simply the persistence of adaptive shifts once visual displacement has been terminated is suggested.     

Perceptual load influences auditory space perception in the ventriloquist aftereffect

A period of exposure to trains of simultaneous but spatially offset auditory and visual stimuli can induce a temporary shift in the perception of sound location. This phenomenon, known as the ‘ventriloquist aftereffect’, reflects a realignment of auditory and visual spatial representations such that they approach perceptual alignment despite their physical spatial discordance. Such dynamic changes to sensory representations are likely to underlie the brain’s ability to accommodate inter-sensory discordance produced by sensory errors (particularly in sound localization) and variability in sensory transduction. It is currently unknown, however, whether these plastic changes induced by adaptation to spatially disparate inputs occurs automatically or whether they are dependent on selectively attending to the visual or auditory stimuli. Here, we demonstrate that robust auditory spatial aftereffects can be induced even in the presence of a competing visual stimulus. Importantly, we found that when attention is directed to the competing stimuli, the pattern of aftereffects is altered. These results indicate that attention can modulate the ventriloquist aftereffect.