Between Mind and Trace — A Research into the Theories on Xin 心 (Mind) of Early Song Confucianism and Buddhism

From Han Yu’s yuan Dao 原道 (retracing the Dao) to Ouyang Xiu’s lun ben 论本 (discussing the root), the conflicts arising from Confucianists’ rejection of Buddhism were focused on one point, namely, the examination of zhongxin suo shou 中心所守 (something kept in mind). The attitude towards the distinction between mind and trace, and the proper approach to erase the gap between emptiness and being, as well as that between the expedient and the true, became the major concerns unavoidable for various thinkers to integrate the two teachings and to propel academic development. “To understand by mind” and “to blame for matter” were of crucial methodological significance for transcendence in both Confucianism and Buddhism. The arguments of Confucian scholars like Zhang Zai and the Cheng brothers on the identity of mind and trace and the unity of void and solid are mutually manifested. The same mind with the same principle means “mind is principle.” The “common axis of Confucianism and Buddhism” exists in the emphasis on mind beyond trace. The unification of mind and trace or the accordance of body and function has actually become the cardinal foundation for the possible mergence of the Three Teachings.     

Daoism and the German Mission in Martin Heidegger’s “The Thing”

In this article, I examine Martin Heidegger’s 1950 lecture/essay “The Thing” (Das Ding) in two ways. First, as a piece influenced by chapter 11 of the Daodejing. And second, as a postwar writing which can be interpreted vis-à-vis the Black Notebooks and his other writings. There are instances in “The Thing” which are analogous to his statements found in the Black Notebooks and his other writings which describe and clarify his controversial political affiliation. In brief, I suggest here that Heidegger’s articulation of the concept of wu 無 of chapter 11 of the Daodejing as the void of the jug in “The Thing” may potentially describe his controversial engagement with German National Socialism as part of his response to the call for German mission. Notably, the fundamentality of the void of the jug is comparable to the exclusivity and exceptionality of the Germans in their mission; and the use of the void of the jug as outpouring is an interesting way to emphasize his disagreement with the regime by pointing out that his support to German National Socialism is not to the extent of brutally annihilating the Jews.     

A Reconsideration of the Characteristics of Song-Ming Li Xue

By analyzing Zhu Xi and Zhang Zai’s three representative explanatory paradigms—that of Feng Youlan, Mou Zongsan and Zhang Dainian, the paper tries to show that studying Chinese philosophy in a Western way and emphasizing logical consistency will unavoidably lead to the defects of simplicity and partiality. In addition to Buddhism and Daoism, Song-Ming philosophy had also absorbed thoughts from the Pre-Qin, Han, Wei and Jin dynasties. The existence of multiple philosophical thoughts and their new synthesis lead to internal contradictions in Song-Ming philosophy and Li Xue 理学 (Neo-Confucianism in the Song and Ming dynasties). The contradiction between the doctrine of tiandao 天道 (the way in which the world runs) and that of xinxing 心性 (mind and human nature) was even sharper. Li Xue and Xin Xue also overlapped one another. The transition from the doctrine of tiandao to that of xinxing was a long journey. It was begun by Zhu Xi in his later years, and was finally completed by Wang Yangming. Unveiling the complexity and special characteristics of Song-Ming philosophy is a task for scholars on the history of Chinese philosophy.     

Wang Fuzhi’s Interpretation of Spirit/Shen in His Annotation on the Zhuangzi

This essay systematically explores the concept “spirit” (shen 神) in Wang Fuzhi’s Annotation on the Zhuangzi (Zhuangzi Jie 莊子解). Following Zhuangzi, Wang Fuzhi interprets spirit as a mass of vital force/jingqi, and regards spirit as the master of human life and human body. Through preserving one’s spirit, one will not only be able to preserve one’s body, but also keep all creatures immune from sickness and plague. This can be accomplished, since a well-preserved spirit will contribute harmonious and pure qi to the universe and make the whole universe more harmonious. In an effort to achieve this purpose, Wang Fuzhi proposes “forgetting all external things” and aiming for an empty and detached mind, on one hand, and asks a person to concentrate his spirit with a constant will, one the other hand. Once one’s spirit is well concentrated, one will be a spiritual person (shenren 神人), who will transcend life and death, fortune and misfortune, always living a leisurely and carefree life. One will also forget all cognitive distinctions and fully become one with the transformation of things and Heaven (tian 天). In this way, one’s spirit will achieve eternity, and fully realize the meaning of human life.     

Hegel,Schelling and Laozi on Nothingness

This article looks at Hegel’s and Schelling’s discussions of Laozi’s wu 無 in History of Philosophy and Philosophy of Mythology respectively, and then relates them back to those two Western thinkers’ own understandings of the concept of nothingness. This exploration demonstrates that while Hegel sees nothingness more as a logical concept not different from being, Schelling equates Laozi’s wu with Nichtseiende of the first potency in his theory of the potencies of God. This article will further put the question in perspective by examining or speculating how the three philosophers would address the problem of ex nihilo nihil fit. Finally, it will highlight the striking similarity between the views of Schelling and Laozi regarding the role of the will or desire (yu 欲), in our knowledge about nothingness: While Schelling’s first potency, Nichtseiende, is a “not willing will,” the second potency is “willing” and therefore the beginning of existence. Laozi, on the other hand, believes that without desire we can discern the ultimate mystery, while with desire we can only see the outer fringe of things. However, Laozi differs from Schelling in that the latter’s willing God is absent in his philosophy.     

The Earth Garden: Going Back or Going Forward to Nature?

Against the background of a short meditation on the contrasting ways in which landscape has been represented and idealized in Eastern and Western painting traditions,the article will try to show,using some striking examples,that the development of landscape painting in the last two centuries reflects the changing relationship of humanity and nature,leading in both the East and in the West to either the expression of a nostalgic longing for nature to be back as it once was,or to a gloomy expression of the vanishing of nature amidst the modern,technological world.Connecting to both the concept of "harmony," which is a key concept in Eastern aesthetics,and to some recent reflections in Western philosophy on the relationship of nature and technology,a post-nostalgic conception of nature and natural beauty is defended,in which nature and technology are no longer seen as opposing categories,but rather as poles that are intertwined in an ever-lasting process of co-evolution.It is argued that we should not so much strive to go "back to nature," but rather to go "forward to nature" and establish a new harmony between human and non-human nature and technology.The article ends with some reflections on the role artists and aestheticians may play in this transformation.     

论《乐论》与《乐记》的根本区别——兼论占星学对于先秦儒家礼乐思想的冲击与整合

The core idea of On Yue (《乐论》) is that Yue makes people harmonious (乐和同), and Li shows people’s differences (礼别异). And the core idea of Yueji (《乐记》)is that the great Yue is a kind of harmony of sky and earth (大乐与天地同和), and the great Li has the same order to the sky and earth (大礼与天地同节). There are some essential differences between these two books. On Yue (《乐论》) systematically discussed and developed the early Confucian thought of Li (礼) and Yue (乐), and concentrated on Xunzi’s view of social reality then. Yu...     

Equilibrium and Harmony of Emotional Conflicts in Cooperation: Between Chinese Traditional Culture and Modern Artificial Intelligence

Equilibrium and harmony elevate human emotions like pleasure, anger, sorrow, and joy to the highest ontological level. We are puppets of our emotions and feelings, without the possibility of parole. By implanting complex emotional reactions in the operating system of sex robots, we have created a virtual relationship that mimics human intimacy. In this way, a thing—in this case, a machine—takes on human characteristics. This could be called the humanization of things. Not only can things be humanized, humans can also be reified. If, by imitating neural networks and deep learning, intelligent robots are to make great strides in their ability to think, they may come into the possession of emotions and feelings. In traditional Chinese culture, equilibrium and harmony form the highest and most pervasive principle, value, and morality for nature, society, and life. The state of equilibrium (zhong 中 ) and harmony (he 和 ) is the fundamental root from which springs the world and the universal path that it must pursue. When we view emotional equilibrium and harmony in light of the theoretical doctrine of harmony and cooperation, the emotional lives of humans and machines are integrated and combined with the state of equilibrium and harmony to achieve the greatest good. Moreover, this can resolve all kinds of crises amid the emotions and feelings of humanoids created by humans, notably by leveraging the outstanding intelligence of humans to maintain the emotions of humanoids in a state of equilibrium and harmony. To this end, we must perform regulatory actions in several aspects. First, we must modulate emotions and feelings. Second, we must achieve a state of equilibrium, which can put all things in the right positions, allowing them to be nourished and flourish. Third, we must strive for mutual empathy between humans and machines, which can pave the way for collaborative creation in harmony, as well as their integration, camaraderie, emotional understanding, mutual respect and harmonious love.     

Xiong Shili on the Nature,the Mind and the Origin of Badness as Evidenced in Ming Xin Pian 明心篇 (Explaining the Mind )

The question of the origin of badness is a core problematic in New Confucian philosopher Xiong Shili’s 熊十力 (1885–1968) Ming Xin Pian明心篇 (Explaining the Mind; 1959), a work representative of his thought towards the end of his life. In this essay, I examine how Xiong uses the concepts of the nature (xing 性) and the mind (xin 心) to explain the origin of moral badness. Xiong asserts that the Buddhists never concerned themselves with the problem of the origin of ignorance and delusion, afflictions that in turn lead to suffering and wrongdoing. Xiong sets out to redress what he claims the Buddhists had failed to do. I argue that the conceptual structure of both Xiong Shili’s and Zhu Xi’s 朱熹 (1130–1200) theoretical approaches to this problem are isomorphic. The isomorphism is significant because it suggests that Xiong consciously drew on Zhu Xi and/or the Buddhist models that Zhu in turn drew on. I provide evidence to show that even as late as 1959, and despite his increasingly entrenched criticisms of Buddhism, Xiong continued to draw on key concepts and models drawn from Buddhist philosophy of mind.     

On the Constitution and the True Aim of The Joy of Heaven and Non-Speech： A Reinterpretation of the Debate at the Dam over the Hao River

The essay starts by questioning how the debate at the dam over the Hao River between Zhuang Zi and Hui Zi arose. It describes the source of ideas that led Zhuang Zi to speak on the enjoyment of the fish (yuzhile 鱼之乐) and points out that the meaning of the debate rests in bringing about the emergence of the true subject of “enjoyment.” It highlights this meaning by analyzing the essential content and value orientation of Zhuang Zi’s ideas on the joy of heaven (tian le 天乐) and perfect enjoyment (zhile 至乐). Following up on this thread, the essay goes further to analyze the true meaning of Zhuang Zi’s theory concerning the “great speech” of “non-speaking.” This essay holds that the debate is a parable, an external representation that unfolds an internal tension between two different levels contained within Zhuang Zi’s thought, rather than simply a debate between these two thinkers.     

The Tradition of Emotive Writing in the Zhuangzi and Its Echoes in Later Generations

As the concluding part of a series of essays on theories of humanity in the Zhuangzi, this essay aims at describing the theme of qing 情 (emotion) as a dual-directional attitude towards qing as a partner to xing 性 (nature) and the influence of this domain of thought on later generations and their continued discussion of it. Faced with a forcible divorce of qing and xing at the hand of Han Dynasty Ruists, which would lock perceptions into a rigid dualist framework, the Wei and Jin period saw authors such as Wang Bi and Ji Kang return to a more faithful rendering of the theme of qing in the classics, the Laozi and Zhuangzi, seeing it become an ever more explicit philosophical topic and beginning a lengthy period of discussion of the theme of qing. In the Northern Song period, representative thinkers Zhang Zai and Wang Anshi The Northern Song tradition constitute a continuance of Pre-Qin Daoist philosophical ideas, providing a logical reinterpretation of the indivisibility of qing and xing from a syncretist approach to the Daoist and Ruist traditions, in a way that drastically differs from the Southern Song preference for xing at the cost of qing, as represented by thinkers such as the Brothers Cheng and Zhu Xi. At the bottom of it, this continued tradition draws from themes that appear in the Zhuangzi, a holistic approach to life and the relationship between humanity and nature, an important and continuous thread in the fabric of human civilisation.     

Environmental Ethics and Linkola＇s Ecofascism： An Ethics Beyond Humanism

Ecofascism as a tradition in Environmental Ethics seems to burgeoning with potential. The roots of Ecofascism can be traced back to the German Romantic School, to the Wagnerian narration of the Nibelungen saga, to the works of Fichte and Herder and, finally, to the so-called volkisch movement. Those who take pride in describing themselves as ecofascists grosso modo tend to prioritize the moral value of the ecosphere, while, at the same time, they almost entirely devalue species and individuals. Additionally, these ecofascists are eager to reject democracy, the idea of progress in its entirety, as well as industrialization and urbanization. They also seem to be hostile towards individual autonomy and free will. In this short essay I will present and discuss Kaarlo Pentti Linkola＇s approach to environmental ethics, one that could be well described as the epitome of Ecofascism. I will argue that his arguments are neither sound nor documented, and I will conclude that Linkola＇s overall approach is, in my view, contrary to the purpose as well as to the very essence of morality.     

The Philosophy of "Naturalness" in the Laozi and Its Value For Contemporary Society

This article aims to show that the concept of "naturalness" in the Laozi is able to provide cultural guidance concerning values for contemporary social development.Specifically,the Laozi's concept of "naturalness"—manifested in the text's exhortation to "honor the dao and exalt the de" and its statement that "the dao models itself on naturalness"—has profound ontological,political and social implications concerning "naturalness" that are strongly expressed through a variety of propositions including "achieving all through non-action" and "downsizing the state and simplifying the people." With respect to the question about individuals living a life of appropriateness and establishing their destiny,the Laozi emphasizes such cultivation methods as "sticking to simplicity and authenticity" and "watching in quietude and observing in depth,"which are also infused with the conception of "naturalness," which stresses the notion that understanding the harmony between man and nature can provide useful lessons for the development of contemporary human society.     

A Neo-Confucian Criticism of Daoism: Wang Fuzhi’s Contradictory Remarks on the Laozi

Based on Zhu Xi’s statement that Laozi’s teachings were very cruel, Wang Fuzhi condemned Laozi as a crafty, petty person in his Confucian commentaries. Yet, he had to understand the Laozi or Daodejing sympathetically when he commented on it in Laozi Yan老子衍 (Extended Commentary on the Laozi). As a result, he showed inconsistency in his criticism and evaluation of the author. Some scholars have noted this problem but have not shed ink analyzing it. This essay finds that Wang Fuzhi’s ambiguous attitude toward Laozi results from his Confucian prejudice against other schools and his failure to grasp the breadth and depth of Laozi’s thought. From the perspective of Heaven, Laozi promoted accommodation and non-interference in self-cultivation and governance, summed up by the maxim that “the sage manages affairs without deliberation, and spreads teachings without words.” In contrast, Wang Fuzhi stuck to the distinction between Confucianism and Daoism, and tried to use humanity and ritual propriety to supplement that which Heaven does not provide; as such, he criticized Laozi as crafty and irresponsible. Wang Fuzhi’s criticism neither hits the mark regarding Laozi’s weakness nor maintains a concordance with his earlier sympathetic appraisal in Laozi Yan; the reason for this is that Wang Fuzhi could not fully grasp Laozi’s thought from a Confucian and anthropocentric perspective.     

Original mind and cosmic consciousness in the co-creative process

This article will investigate the issue of accessing benxin 本心 (original mind), subsequent operation from Self and, in that process, union with the “greater universe” or benti 本体 (original substance)—a state expressed in the West as “cosmic consciousness.” It is proposed that this allows one to participate as a partner in the creative process of one’s own life and the surrounding world. The equally important question of how to gain contact with original mind will also be addressed, as well as the consequences of doing so with regard to the human condition. The concept of original thought is introduced, being important here as it is held to be that thought which is generated in the pure condition of original mind, devoid of influence from finite physical existence.     

Authenticity in the Zhuangzi ? Contemporary Misreadings of Zhen 真and an Alternative to Existentialism

This essay reviews the Zhuangzian notion of zhen 真, often through the text’s advancement of the zhenren 真人 (“genuine person,” “true person”) or zhenzhi 真知 (“genuine knowledge,” “true knowledge”). Contemporary scholarship, in both Chinese and English, often presents zhen as analogous to the existentialist theory of authenticity, which correspondingly reflects on interpretations of the “self,” and thereby the zhen person. Much of the Zhuangzi is a reaction to the Lunyu, including an ironic response to the Confucian cultivation project. If we establish our interpretation of the “self” against this background then we find that zhen in the Zhuangzi is actually used to argue against the Confucian identification of the person and self through social roles or conventions. However, advocating zhen does not suggest that there is some essential or core “self” to refer to; instead, it implies a natural state of responsiveness where the person acts efficaciously by being in line with what is obvious or affirmed in the situation. This essay thereby presents a reading of zhen that is historically and culturally consistent, and sets up the Zhuangzi as an alternative, and not an echo, to some of the major issues dealt with by the existentialist movement.     

From “Practice” to “Living”: Main Trends of Chinese Aesthetics in the Past 40 Years

In the past 40 years, Chinese research in the field of philosophical aesthetics has made great progress in basic research and academic contributions. The Chinese approach to the ontology of contemporary aesthetics has played the most important role in this historical transition. A shifting paradigm of the ontology of aesthetics—from the concept of “practice” (shijian實踐) to the concept of “living” (shenghuo 生活)—is assisting to integrate Chinese aesthetics into the context of globalization, and the future of Chinese aesthetics is both Chinese and global. “Aesthetics” is not just Ganxue 感学 in the sense of Aesthetica, it is also is a Juexue 觉学 that is closer to the sense of Aisthetik in Chinese context.     

Chenyang Li,The Confucian Philosophy of Harmony

The core argument of Chenyang Li＇s new book is that harmony-understood in particular through the categories of ＂deep harmony＂ and ＂creative tension＂-is the central idea of classical Confucianism.     

酒精对视觉加工和眼动行为控制的影响(中文)

Although moderate alcohol consumption is known to degrade performance in a variety of tasks, the exact nature and extent of such impairments is not well understood. We examined alcohol effects on different levels of visual processing and oculomotor control. On the lowest level(automatic), reflexive responses were tested using the prosaccade task. The‘automated’level, incorporating routine behavior based on implicit learning, was studied using the double step paradigm, while the highest level, representing voluntary control, was examined with antisaccade and memory guided tasks. In addition, sentence reading was included as a prototypical complex task with high ecological validity. Participant′s baseline performance was compared to alcohol conditions with intoxication levels around 70mg% of breath alcohol concentration. Functioning on the automatic level was intact, except for a substantial slowing in saccade latencies. On the automated level, deficits in the ability to adaptively reprogram saccades on the basis of new information were found. Impairments in voluntary control were apparent in hypermetric saccade amplitudes whenever a reprogramming of the initial saccade target was necessary. There was also a small but significant detrimental effect on visuospatial short term memory. Somewhat surprisingly, no alcohol related deficits emerged with regard to inhibitory functions. ‘Reading under the influence’resulted in substantially prolonged fixation durations with only a modest increase in total viewing time per word. A trade-off between increased duration and decreased number of fixations pointed to the possibility that the extra time available under alcohol can be used for linguistic processing, which in itself did not appear to be impaired. This idea is supported by the fact that there was no interaction between alcohol and word frequency. Contrary to expectation, the processing of parafoveal information during reading was not impeded. Overall, results provide a largely coherent pattern of selective effects that begin to form a comprehensive picture of alcohol related deficits.     

Humanity and Paternal Eros: The Father-Son Relationship in Comparative Perspective

This paper examines the human relational patterns presented in the philosophical writings of the Confucian thinker Dai Zhen (戴震1724–77) and the Jewish philosopher Emmanuel Levinas’s (1906–95) Totality and Infinity to uncover the ethical significance of the father-son relationship. I argue that for both thinkers the father-son relation is not just one type of human relationship among other social dyads, but rather, of greater significance, serves as the paradigmatic model of the ethical human relationship in bringing to light the idea of the ethical self as a responsible being in relation to others.